Claes Oldenburg's Store Days
by Claes Oldenburg
from Something Else Press
Claes Oldenburg
Printed Stuff: Prints, Poster, and Ephemera by Claes Oldenburg A Catalogue Raisonne 1958-1996
by Richard H. Axsom
from Hudson Hills Press
All the prints of America's most brilliant draftsman--and wittiest artist.
Claes Oldenburg Drawings in the Whitney Museum of American Art
by Janie C. Lee
from Whitney Museum
Pop artist Claes Oldenburg has long been one of the most popular American artists, and museumgoers worldwide are familiar with his soft sculptures of everyday objects. For the past four years, the Whitney Museum of American Art has been quietly acquiring his drawings, as well as those made with his wife and artistic partner, Coosje van Bruggen. Most major art museums have no more than 10 Oldenburg drawings in their holdings: the Whitney now has approximately 90-the largest such collection in the world. This assemblage of Oldenburg drawings is evidence of the museum's commitment to collecting in depth the work of great living American draftsmen.
Published to accompany the largest exhibition to date of Oldenburg's drawings, this beautifully produced volume covers nearly a 40-year period, from 1959 to 1998, and features 92 full-color illustrations, with text and an interview with Oldenburg by Janie C. Lee, the Whitney Museum's Curator of Drawings.
Claes Oldenburg and Coosje van Bruggen: Sculpture by the Way
by Ida Gianelli
from Skira
Claes Oldenburg and Coosje van Bruggen have been working in partnership since 1976. Together they have executed over 40 large-scale, site-specific projects that establish direct contact with a wide audience into various urban settings in Europe, Asia, and the United States. Their collaboration has extended to smaller-scale park and garden sculptures as well as to indoor installations. Published in association with the Castello di Rivoli, this major retrospective catalog focuses on the close relationship between the concepts of sculpture and architecture in the work of the artists and is the first to trace the development of their artistic itinerary from the mid-1980s up to the present. Lavishly illustrated the catalog features the works in chronological order, elucidated by text introducing each of the body of works. In the section devoted to large-scale projects, 22 works are examined and illustrated with drawings, models, and photographs. This long-awaited monograph includes an interview with the artists, an anthology of texts, a bio-bibliography, and two never-before-seen works: Popagesy, produced especially for the exhibition, and Three Way Plug, which addresses the artists' own history.
Claes Oldenburg: Early Work
by Claes Oldenburg
from Zwirner & Wirth
Much of the seminal 1960s sculpture documented in this catalogue is from Claes Oldenburg's personal collection and had never been shown until it was gathered on the occasion of the artist's first major historical New York exhibition since his Guggenheim retrospective of 1995. Included are a large selection of objects from The Store; early soft sculptures from The Home; and works related to the Airflow project. Scholars and new initiates alike will enjoy Oldenburg's earliest riffs on street life (yard-long gym shoes), household objects (plump fabric light switches and toilets) and automobile culture, explored and transformed through innovative manipulations of scale and material into mysterious, formally inventive works that address human experience in modern life. An insightful essay by Julia E. Robinson points to relationships with the work of Daumier, Dubuffet and Manet.
Claes Oldenburg: An Anthology
The Mouse Museum/The Ray Gun Wing: Two Collections/Two Buildings by Claes Oldenburg: An Exhibition Organized by the Museum of Contemporary Art, Chicago
Claes Oldenburg, Mouse Museum/Ray Gun Wing: [exhibition] Museum Ludwig, Cologne, 1979
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