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Velazquez, Diego

 
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Velazquez: The Technique of Genius

Velazquez: The Technique of Genius by Jonathan Brown from Yale University Press

    In this beautiful and engaging book, an art historian and a conservation scientist discuss the techniques Vel‡zquez created in order to realize his artistic vision. Examining thirty works by Vel‡zquez that span his entire career, the authors show how his technical achievement developed over time.

    List Price: $42.00
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    The Vexations of Art: Velazquez and Others

    The Vexations of Art: Velazquez and Others by Svetlana Alpers from Yale University Press

      Now available in paperback

      A major art historian reflects on a great tradition of European painting.

      "The Vexations of Art is an engrossing, passionate attempt to re-engage with painting as a mode of thought at a time when 'it is not clear in what form the resource of painting—for surely painting has been a singular resource of the greater European culture—will continue."—Jackie Wullschlager, Financial Times

      "[A] fascinating book that will surely generate discussion for some time to come."—Mindy Nancarrow, Renaissance Quarterly

      List Price: $30.00
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      Diego Velazquez: 1599-1660; The Face of Spain (Basic Art)

      Diego Velazquez: 1599-1660; The Face of Spain (Basic Art) by Norbert Wolf from Taschen

        Velazquez: Painter and Courtier

        Velazquez: Painter and Courtier by Jonathan Brown from Yale University Press

          List Price: $42.00
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          Velazquez in Seville

          Velazquez in Seville by David Davies from Yale University Press

            In this beautifully illustrated book, an international team of art scholars explores the importance of Seville for Velzquez in his formative years. Discussions range from Vel zquez`s education, training, and subject matter to Sevillian culture Catholic theology, and picaresque literature.

            List Price: $70.00
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            Velazquez

            Velazquez by Antonio Dominquez Ortiz from Harry N Abrams

              List Price: $55.00
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              Manet/Velazquez: The French Taste for Spanish Painting (Metropolitan Museum of Art Series)

              Manet/Velazquez: The French Taste for Spanish Painting (Metropolitan Museum of Art Series) by Gary Tinterow from Metropolitan Museum of Art

                After an exhausting trip to Madrid to see paintings by Diego Velásquez, Édouard Manet declared in a letter that the seventeenth-century master was "the greatest artist," He was also the greatest influence on Manet, whose bold handling of color and space had revolutionized figure painting. Manet/Velásquez: The French Taste for Spanish Painting accompanied an landmark exhibition that opened in Paris in 2002 and traveled to the Metropolitan Museum of Art in New York. Lavishly illustrated--with nearly 400 color reproductions and more than 300 in black-and-white--the book is a consolation prize for art lovers who missed the show. Actually, the Manet-Velásquez connection is just one aspect of this wide-ranging survey of French 19th-century culture, bolstered by a detailed chronology. (This inclusive outlook even extends to the influence of Spanish painting on nineteenth-century American artists.) Most essays are packed with scholarly details likely to be of more interest to specialists than to the general reader. Still, the historical outline is intriguing. For generations, the only foreign artists the French thought worthy of interest were the Italians and the Dutch. Napoleon changed all that, inadvertently, when he invaded Spain and brought back artistic plunder for the fledgling Louvre. Although the museum's Spanish art holdings subsequently had a checkered history, the die was cast. French Romantic artists and poets found a soul mate in Goya, the eighteenth-century artist whose hallucinatory vision and social commentary seemed tailor-made for the 1830s. Three decades later, the shrewd pictorial intelligence of Velásquez was the key that unlocked a new directness in art. —Cathy Curtis

                In 1804, at the dawn of the French Empire, there were no more than a handful of Spanish paintings in public collections in France. During the course of the nineteenth century, however, French collectors and museums assembled substantial holdings of works by such Spanish masters as Velázquez, El Greco, Zurbarán, Murillo, and Goya. At the same time, French writers and artists—among them Delacroix, Géricault, Courbet, Millet, Bonnat, Degas, and, especially, Manet—came to understand, appreciate, and even emulate Spanish painting of the Golden Age.

                This beautiful book features over 150 works by French and Spanish artists, charting the development of this cultural influence and mapping a fascinating shift in the paradigm of painting: from Idealism to Realism, from Italy to Spain, from Renaissance to Baroque. Above all, it vividly demonstrates how direct contact with Spanish painting fired the imagination of nineteenth-century French artists and brought about the triumph of Realism in the 1860s, and with it a foundation for modern art. American artists of the second half of the nineteenth century often turned to Europe for training and inspiration. Whistler, Cassatt, Eakins, Chase, and Sargent all traveled to Spain for firsthand exposure to its artistic heritage and experienced the thrill of discovering Spanish painting. Also included in this volume are works by American artists that clearly reflect the pervasive influence of and taste for Spanish painting.

                List Price: $75.00
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                The Cambridge Companion to VelAzquez

                The Cambridge Companion to VelAzquez from Cambridge University Press

                  The Cambridge Companion to Velázquez offers a synthetic overview of one of the greatest painters of Golden Age Spain and seventeenth century Europe. With contributions from art historians and those working in other disciplines, this book offers fresh approaches to the vast literature on this artist. The essays also guide the reader to an understanding of Velázquez's work--his training in his native Seville, reflections in his oeuvre of artistic currents from outside Spain, and how Velázquez's religious paintings may be understood within the religious context of Counter-Reformation Spain.

                  The Cambridge Companion to Velázquez offers a synthetic overview of one of the greatest painters of Golden Age Spain and seventeenth century Europe as a whole. With contributions from art historians and those working in other disciplines, this book offers fresh approaches to the vast literature on this artist. The essays also guide the reader to an understanding of Velázquez's work --his training in his native Seville, reflections in his oeuvre of artistic currents from outside Spain, and how Velázquez's religious paintings may be understood within the religious context of Counter-Reformation Spain.

                  List Price: $90.00
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                  Velazquez (Rizzoli Art Classics)

                  Velazquez (Rizzoli Art Classics) from Rizzoli

                    The Rizzoli Art Classics series brings you Piero della Francesca, Titian, Caravaggio, and Velázquez, all in beautifully illustrated monographs, offering high-quality reproductions in compact, accessible volumes. These books feature a literary introduction by a renowned art historian, a thoroughly researched essay, and captions describing the artist's most famous canvases. A useful appendix section includes an extensive chronology of the artist's life and important historical events of his time; a compilation of writings by well-known historians, insight into each painter's stylistic development; a geographical table detailing the location of each painting in the book; and a concise bibliography with suggested further readings.With authoritative text by leading art historians, these lavishly illustrated editions provide fresh insight into the art and lives of some of the most fascinating artists in the history of painting.

                    Velazquez (National Gallery Publications)

                    Velazquez (National Gallery Publications) by Dawson W. Carr from National Gallery London

                      Renowned for his physical and psychological naturalism, Diego Rodríguez de Silva y Velázquez (1599–1660) is considered one of the greatest painters to have ever lived. Official court painter to King Philip IV (1605–1665), he created astounding effects of illusion in his minimalist and elegantly composed works––which range from genre and history scenes to portraits. His paintings had an enormous impact on 19th- and early-20th-century artists such as Degas, Renoir, and Picasso, and Manet famously first described him as “the painter’s painter.”
                      With over 150 illustrations and an in-depth chronology, this beautifully produced and comprehensive book surveys Velázquez’s entire career and explores his universal popularity. Fascinating essays by world-class Velázquez scholars address the artist’s life and technique, examining his studies in Seville and Italy to his final great works at the court of Philip IV. They also place his works in the context of 17th-century European painting and discuss how and why his works have resonated so strongly with the generations of Post-Impressionist and modernist artists.

                      List Price: $60.00
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