Susan Rothenberg
by Joan Simon
from Harry N. Abrams
Though Susan Rothenberg is perhaps best known for her paintings of horses, the subjects of her paintings are in fact quite varied--abstract portraits, landscapes, and atmospheric expressionist canvases round out her oeuvre. This book is the first comprehensive monograph of Rothenberg's work, offering the reader a broad view of both her paintings and her life. Born in upstate New York, Rothenberg spent her early years studying art and dance before moving to Manhattan for college. There, she became involved in the conceptually oriented art world of 1960s New York City. As Rothenberg began to individuate herself and her work from that movement, her canvases became one of the forces that reinvigorated American painting in the 1970s. Rothenberg later headed to the Southwest, inspiring the incorporation of themes culled from her desert environment into her continually evolving painting style. This volume is filled with excellent reproductions of her work, accompanied by Rothenberg's own comments about her ideas and inspirations that provide excellent insight into both her work and her character.
"Opens a window on the mind and career of a painter. . . . A welcome and worthy addition to the literature of contemporary art."
-Miami Herald Now available in a well-priced paperback edition, this award-winning study explores the life and work of Susan Rothenberg, "a major talent" (Robert Hughes, Time) who is "one of the best artists of her generation" (Michael Kimmelman, The New York Times) and "our best painter's painter" (Peter Plagens, Newsweek). Illustrated with original documentary photographs and nearly 90 colorplates, including three gatefolds, the book puts Rothenberg's arresting images of horses, body fragments, dancers, and spinners in context-and examines how her personal emblems and experiences figure in her work. 161 illustrations, 87 in full color, 3 gatefolds, 10 x 11" JOAN SIMON is a writer and independent curator specializing in contemporary art. The former managing editor of Art in America, she is the author of studies on Jenny Holzer and Bruce Nauman.
In Company: Robert Creeley's Collaborations
by Amy Cappellazzo
from The University of North Carolina Press
Celebrating poet Robert Creeley's pathbreaking role as an artistic collaborator, this illustrated volume adds substantially to the documented history of contemporary multidisciplinary art. For more than forty years, Creeley has worked on collaborative projects with some of the best-known artists of our time, including Georg Baselitz, Francesco Clemente, Jim Dine, R. B. Kitaj, Marisol, and Susan Rothenberg. In Company explores this history with essays, interviews, archival photographs, and images of the books and portfolios created, from Numbers (1968) with Robert Indiana to Edges (1997) with Alex Katz. An accompanying CD-ROM features interactive presentations of the projects.
The publication of In Company coincides with a traveling exhibition organized by the Castellani Art Museum of Niagara University. The exhibition, which opened in Niagara this spring and will travel to the New York Public Library in September, will also appear at the Weatherspoon Art Gallery at the University of North Carolina at Greensboro, the University of South Florida Contemporary Art Museum, and Stanford University's Green Library.
Robert Creeley, winner of the 1999 Bollingen Prize and author of more than 60 volumes of poetry, is Samuel P. Capen Professor of Poetry and Humanities at the State University of New York at Buffalo.
Susan Rothenberg: Paintings from the Nineties
by Cheryl Brutvan
from Rizzoli International Publications
Since moving to the Southwest from New York City a decade ago, Rothenberg has created a body of work that is at once a continuation and evolution of previous concerns, and an expression of dramatic changes. Susan Rothenberg: Paintings from the Nineties, published on the occasion of a major exhibit of the artist's works from the past decade, brings together twenty of her most significant recent paintings. As these works have never been shown before as a group, this book provides the first opportunity to consider a crucial period in the career of one of our most important contemporary artists. Along with Rothenberg's haunting, evocative images, reproduced in full color, the volume includes an important critical introduction by Cheryl Brutvan, Beal Curator of Contemporary Art at the Museum of Fine Arts in Boston, and a poetic response to the artist's paintings by Robert Creeley.
Susan Rothenberg: Paintings 1992
Softbound exhibition catalog with three fold out color reproductions and many other color plates of the artist's work. Unpaginated.
Susan Rothenberg; Paintings and Drawings
by Michael Auping
from Rizzoli
Hardcover - 159 pages - Catalogue Exhibition
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