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Powers, Hiram

 
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A Measure of Perfection: Phrenology and the Fine Arts in America (Cultural Studies of the United States)

A Measure of Perfection: Phrenology and the Fine Arts in America (Cultural Studies of the United States) by Charles Colbert from The University of North Carolina Press

    Despite its widespread popularity in antebellum America, phrenology has rarely been taken seriously as a cultural phenomenon. Charles Colbert seeks to redress this neglect by demonstrating the important contributions the theory made to artistic developments in the period. He goes on to reveal the links between the tenets of phrenology and the cultural ideals of Jacksonian democracy.

    As Colbert demonstrates, virtually every important figure of the American Renaissance expressed some opinion of phrenology, whether or not they embraced it. Its proponents included many artists eager to support a cause that enhanced the status of their profession by endowing the human form with extraordinary significance.

    Colbert reviews the careers of Hiram Powers, William Sidney Mount, Harriet Hosmer, Asher B. Durand, and Thomas Cole, among others, in light of their responses to phrenology. Powers's Greek Slave, for example, can be seen as a model of the physical and moral perfection available to those who adopted the phrenological program, a series of dictates on everything from diet to mental and physical exercise. By creating portraits, genre scenes, ideal figures, and even landscapes that embodied the theory's teachings, Colbert shows, artists endeavored to enlist their audience in a crusade that would transform the nation.

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    Hiram Powers: Genius in Marble

    Hiram Powers: Genius in Marble by Lynne Ambrosini from Taft Museum

      A defence of Powers' statue of Webster;: Being the substance of remarks made on the 8th of June, 1859, at a meeting of the general Committee of One Hundred on the Webster Memorial

      A defence of Powers' statue of Webster;: Being the substance of remarks made on the 8th of June, 1859, at a meeting of the general Committee of One Hundred on the Webster Memorial by Edward Everett from W. White, printer

        Hiram Powers' Paradise lost

        Hiram Powers' Paradise lost by Hiram Powers from Hudson River Museum

          REGIONALISM AND REFORM: ART AND CLASS FORMATION IN ANTEBELLUM CI (URBAN LIFE & URBAN LANDSCAPE)

          REGIONALISM AND REFORM: ART AND CLASS FORMATION IN ANTEBELLUM CI (URBAN LIFE & URBAN LANDSCAPE) by WENDY JEAN KATZ from Ohio State University Press

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            The original and authentic Madonna dell'Impannata by Raffaello Sanzio da Urbino has been in America since 1843: Is the celebrated "Impannata" in the Pitti Palace in Florence a copy?

            The original and authentic Madonna dell'Impannata by Raffaello Sanzio da Urbino has been in America since 1843: Is the celebrated "Impannata" in the Pitti Palace in Florence a copy? by Pasquale Farina

              Flowery A.L.S. to sculptor Hiram Powers.

              Flowery A.L.S. to sculptor Hiram Powers. by William Cullen. BRYANT from see notes for publisher info

                Hiram Powers; The Last of the Tribes; October 5 Through 21, 2000.

                Hiram Powers; The Last of the Tribes; October 5 Through 21, 2000. by Hollis Taggart Galleries. from New York: Hollis Taggart Galleries, (2000).

                  Slavery in the territories: Speech of Hon. Hiram Warner, of Georgia, delivered in the House of Representatives, April 1, 1856, on the power of the general ... exclude slave property from the territories

                  Slavery in the territories: Speech of Hon. Hiram Warner, of Georgia, delivered in the House of Representatives, April 1, 1856, on the power of the general ... exclude slave property from the territories by Hiram Warner from Printed at the Office of the Congressional Globe

                    The Greek slave (The Museum)

                    The Greek slave (The Museum) by Samuel A Roberson from Newark Museum Association

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