Camille Pissarro: Impressions of City and Country
by Karen Levitov
from Jewish Museum
Camille Pissarro (1830–1903) was a ceaseless innovator and organizer whose ideological concerns were as profound as his aesthetic interests. Camille Pissarro: Impressions of City and Country examines how Pissarro's artistic theories and social convictions influenced his Impressionist and Neo-Impressionist work.
Pissarro espoused an anti-bourgeois, anarchist ideology and was interested in the plight of the working classes. This book’s authors examine recurring motifs in Pissarro’s work as intellectual metaphors as well as his background as a Sephardic Jew who was involved in many of the political and class issues of the period. The text also looks at Pissarro as a painter who identified with laborers and agriculture, exploring connections between his subject matter and the “dirty” nature of his painterly technique.
Featuring a wide selection of superb paintings from private collections, many rarely seen, this beautifully illustrated book reveals the genius of an artist keenly focused on his natural surroundings and the lives of common folk.
Camille Pissarro
by Terence Maloon
from Other Distribution
This beautiful book is the first to examine closely Pissarro’s innovative role in the Impressionist movement and his novel approach to pictorial composition. With 150 stunning color illustrations of many of Pissarro’s greatest works, this comprehensive and accessible book includes five essays written by distinguished scholars that analyze the artist’s exploration of composition and subject matter, his experiments with color and space, and his turn to Neo-Impressionism toward the end of his career. Camille Pissarro also describes his relationships to other contemporary artists, his reception by critics at the time, and his significant influence upon Impressionism and modern art.
Pioneering Modern Painting: Cezanne and Pissarro, 1865-1885
by Joachim Pissarro
from The Museum of Modern Art, New York
From the mid-1860s to the mid-1880s two artistic legends, Paul Cezanne and Camille Pissarro, executed numerous paintings side by side as they worked in Pontoise and Auvers. This book was published in conjunction with an exhibition of 74 paintings and 8 drawings that embody the core of the two artists' collaboration and explores their artistic relationship in detail. The artists' dynamic interaction began with their first meeting at the Academie Suisse, Paris, circa 1861, and continued through much of their careers. To examine the techniques that Cezanne and Pissarro each adopted in response to the other's work, the exhibition and book juxtapose related works by both artists, reuniting many of them for the first time since their creation. The friendship between Cezanne and Pissarro was of considerable importance within the development of early Modernism. An essay by Joachim Pissarro discusses this fascinating interchange and offers new insights into both the shared and the distinctive elements of the two artists' aesthetic sensibility.
Pissarro: Colour Library
by Christopher Lloyd
from Phaidon Press
Another title from The Crown Art Library, the most useful monographs available on a wide range of significant artists. Each volume is written by an internationally recognized authority and is generously illustrated with full-color reproductions of the artist's paintings and two-color reproductions of sketches and line drawings.
Masters of Art: Pissarro (Masters of Art Series)
by John Rewald
from Harry N. Abrams
Studying the effects of light, climate, and the seasons, Camille Pisarro experimented with art theory and technique, and fused a distinctive style that remained his own within the larger style of Impressionism. This publication presents Pisarro's oeuvre in all its thematic and artistic diversity. It is a spectrum which extends from the coloristic masterpieces of his early years, especially his landscapes, through to his later, equally famous views of Rouen and Paris, and includes a diversity of subject matter as seen in his portraits, still lifes, market scenes and representations of everyday peasant life.
Pissarro: Creating the Impressionist Landscape
by Katherine Rothkopf
from Philip Wilson Publishers
Along with full-color reproductions and in-depth catalogue entries on the paintings are essays on the development of Pissarro's painting style from 1864 to 1874, and on the influence of place in his work--acknowledging his formative years in St. Thomas and Venezuela as well as his fascination with the countryside surrounding Paris. Technical studies of several of the artist's paintings from the 1860s reveal new insights into the artist's creative process. This volume accompanies an exhibition organized by The Baltimore Museum of Art. It will travel to the Memphis Brooks Museum of Art in Tennessee and the Milwaukee Museum of Art in 2007.
Camille Pissarro
by Joachim Pissarro
from HNA Books
Impressionist artist Pissarro's great-grandson Joachim presents the diversity and charm of his ancestor's work in 205 color images and 149 black-and-white photographs. A fresh, engaging look at the genius of an artist ever receptive to new ideas. Size D. $75.00 after January 1, 1994.
Pissarro, Neo-Impressionism, and the Spaces of the Avant-Garde
by Martha Ward
from University Of Chicago Press
Paying particular attention to the participation of Camille Pissarro, the only older artist to join the otherwise youthful movement, Ward sets the neo-impressionists' individual achievements in the context of a generational struggle to redefine the purposes of painting. She describes the conditions of display, distribution, and interpretation that the neo-impressionists challenged, and explains how these artists sought to circulate their own work outside of the prevailing system. Paintings, Ward argues, often anticipate and respond to their own conditions of display and use, and in the case of the neo-impressionists, the artists' relations to market forces and exhibition spaces had a decisive impact on their art.
Ward details the changes in art dealing, and chronicles how these and new freedoms for the press made artistic vanguardism possible while at the same time affecting the content of painting. She also provides a nuanced account of the neo-impressionists' engagements with anarchism, and traces the gradual undermining of any strong correlation between artistic allegiance and political direction in the art world of the 1890s.
Throughout, there are sensitive discussions of such artists as Georges Seurat and Paul Signac, as well as Pissarro. Yet the touchstone of the book is Pissarro's intricate relationship to the various factions of the Paris art world.
Pissarro, His Life and Work
Camille Pissarro: Impressionism, Landscape and Rural Labour
by Richard Thomson
from New Amsterdam Books
Camille Pissarro (1830-1903) was at the very center of the Impressionist movement. Although his paintings seem to typify the impressionist style, the variety of media in which he worked and his working practices, which involved careful studio preparation as well as plein air painting, lead us to redefine our concept of Impressionism.
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