Ingres, Jean-Auguste-Dominique

Ingres

This new monograph explores the career of Jean-Auguste-Dominique Ingres (1780-1867), one of the most important artists of the nineteenth-century Neoclassical period. Ingres' life spans one of the most tumultuous periods in French history: born less than nine years before the storming of the Bastille, the painter would eventually bear witness to three revolutions and the rise and fall (and eventual resurrection) of a rapid succession of monarchical, republican, and imperial regimes. Like many of his contemporaries, Ingres considered history paintings to be the most exalted form of art, with portraiture a lesser genre. Even during his lifetime, however, tastes were changing, and while icons like his Turkish Bath and his Grande Odalisque are still highly regarded, Ingres is most admired today for his innovative portraits, which transcend time in their physical and psychological beauty.



In this insightful and unbiased survey, Andrew Shelton discusses all of Ingres' key paintings and drawings, thereby providing the reader with a comprehensive portrait of the seventy-year career of this celebrated artist.

Jean Auguste Dominique Ingres: 1780-1867 (Taschen Basic Art)

The classical idealist

French Neoclassical painter Jean Auguste Dominique Ingres (1780-1867) was one of the 19th century's major portrait and historical painters. First trained in drawing by Europe's most famous classicist painter Jacques-Louis David, Ingres went to Rome in his twenties, where he immersed himself in Greco-Roman art and the works of Raphael, Holbein, and Titian, and, while in Florence in 1819, was greatly influenced by Masaccio. He returned to Paris in 1824 and started his triumphant career. In 1825 he was awarded the Order of the Legion of Honor by King Charles X and was elected a member of the Academy. Though renowned for his painting of Oriental nudes reclining in harems or a Turkish baths, Ingres was also a master draughtsman, perhaps the most significant of the 19th century, and left 4000 sketches and drawings to his home town of Montauban. In opposition to the Romantics, Ingres upheld classical idealism with its clarity of line. His painting had a profound effect on artists like Edgar Degas and Pablo Picasso and influenced, amongst others, Cindy Sherman and David Hockney.

Portraits by Ingres: Image of an Epoch

Staging Empire: Napoleon, Ingres, And David

Napoleon Bonaparte conquered France and Europe in the name of liberté, égalité, et fraternité, but he suppressed freedom to achieve his aims. This was the birth of modern empire, and France's greatest artists were enlisted for the cause. Staging Empire focuses on two landmark paintings that celebrated Napoleon's coronation: Jean-Auguste-Dominique Ingres's Napoleon I on His Imperial Throne (1806) and Jacques-Louis David's Le Sacre (1805-7). In an unprecedented collaboration, two scholars investigate these masterpieces in their broad cultural context. This book is a sumptuously illustrated, extensively documented, analytical tour de force. Coronation pictures may seem to be all about the past, but they were produced to guarantee a future of empire whose military, media, and geopolitical practices are still with us today.

Staging Empire surveys the period's essential problem of representing authority in the aftermath of the French Revolution. Ingres's portrait of the new emperor is steeped in archaic symbolism, bolstered by the cult of recently minted relics. The picture's strangeness, the press's withering critiques, and the government's anxious sponsorship are explored. The discussion lays bare the precariousness of modern art and politics and the dangers of cultural independence in the public sphere.

Traditionally accepted as a document of the coronation of Napoleon and Josephine, Le Sacre is instead shown to be the most important barometer of the Empire's propagandistic strategies. The authors present it in light of Josephine's central role and of its critical reception in newspapers and the hitherto untapped archives of Napoleon's secret police. Le Sacre heralded an age of phony governmental transparency. Modern cultural practices, including consumerism, repressive theories of race and gender, and art history itself, were marshalled by the emperor's official painter.

Masters of Art: Ingres (Masters of Art)

Ingres Portrait Drawings: 44 Plates (Dover Art Library)

Drawings of Ingres (Master Draughtsman Series)

Ingres: Erotic Drawings

Ingres, described by Baudelaire as a painter of "profound sensual delights," has not always been acknowledged as such by the art world. Famous for his iconic paintings The Grand Odalisque and The Turkish Bath, Ingres was also an artist of great erotic intensity and raw sexuality. These facets of his oeuvre are explored here in depth and in detail. The sixty-five illustrations include drawings and sketches from the artist's personal notebooks, lush details from his paintings, and even a rare daguerreotype. Medieval engravings from the sixteenth century are reproduced alongside the sketches that they inspired, and studies for Ingres' famous paintings appear adjacent to the corresponding details. Stéphane Guégan unveils this unexplored aspect of the artist's works through the themes of a virile eros, temptation, seduction, voyeurism, close-ups, forbidden desires, saturation, and enigma. The volume includes a chronology of the artist's life and a selected bibliography. This handful of hidden treasures, shocking enough in their time to be banished from polite society, today rewards a thorough examination with a new and enlightening perspective on Ingres: the artist, the man of flesh and blood, the seducer.

Ingres

Jean-Auguste-Dominique Ingres: 1780-1867 (Masters of French Art)

The volumes in this bibliophile series provide unique portraits of European art history. Readers gain fascinating insights into the artists' biographies and their styles: Durer and his famous portraits and altarpieces, the vivid farm scenes of Pieter Bruegel, the great painters of the Italian Renaissance, the symphonies in color of Titian, the mysterious chiaroscuro paintings of Caravaggio, the rococo worlds of Antoine Watteau, and the great historical paintings created by Jean-Auguste-Dominique Ingres. Authoritative texts illuminate the decisive stages in the artists' lives and the development of their styles, explaining their impact against the background of their social context as well as their significance for following generations of artists. Plentiful large sized illustrations showcase each artist's oeuvre. Each volume contains a comprehensive appendix providing information on the artists' biographies in tabular form as well as an extensive bibliography. Each of the authors of the individual volumes is renowned in his or her field.