Hopper, Edward

Edward Hopper

One of the most enduringly popular painters of the twentieth century, Edward Hopper produced many works now considered icons of Modern art. Canvases such as Drugstore, New York Movie, and the universally recognized (and often parodied) Nighthawks not only reshaped what painting looked like in America, but created a visual language for middle-class life and its discontents. This extensive new assessment of Hopper, which accompanies a major traveling exhibition, examines the dynamics of the artist's creative process and discusses his work within the cultural currents of his day--examining the influence not only of other painters, but also of such media as literature and film. And while most studies have tended to see Hopper as the great painter of alienation, this one takes a much broader, more nuanced, and ultimately more representative view. Spanning the entirety of Hopper's career, but with particular emphasis on his heyday in the 30s and 40s, Edward Hopper highlights the artist's greatest achievements while discussing such topics as his absorption of European influences, critical reactions to his work, the relation of Realism to Modernism, the artist's fascination with architecture, his depiction of women, and the struggle in his last years to produce original works. Illustrated with over 150 oils, watercolors and prints, and including essays by several noted scholars in the field and an extensive chronology and bibliography, this is the most comprehensive volume on Hopper produced in the last decade.

Hopper's Places, Second edition

In the acclaimed first edition of Hopper's Places, Gail Levin paired paintings by Edward Hopper with her photographs of the subjects of paintings done in New York and environs, Maine, Gloucester, and Cape Cod to demonstrate how Hopper made art of everyday scenes and how he sometimes made intentional changes from what he observed. For this new edition, Levin has added documentary photographs and Hopper's paintings of sites in Paris, where he painted for several years as a young man, Charleston, Mexico, and the western U.S. to give a broader view of the range of his work and the power with which he transformed his subjects while still remaining faithful to their essential features.

Silent Theater: The Art of Edward Hopper

Silent Theater: The Art of Edward Hopper illuminatesthe life and work of one of America's most celebrated yet enigmaticartists.Through a close study of the themes, emotions, and imagery thatpreoccupied Hopper (1882-1967) throughout his life, Walter Wells presentsmany new insights, especially into the haunting silence and loneliness atthe heart of the artist's vision.Hopper's paintings are often described as belonging to a school of Americanrealism, and were in part inspired by the works of European realists suchas Gustave Courbet and Edouard Manet; however, the underlying themes ofloneliness, melancholy, and silence that pervade his works also recall thesurrealist, dreamlike images of Giorgio de Chirico.These elements of thedream world and the subconscious - psychological states that are intrinsicto all people, however little we understand them - may be what makeHopper's work so universally compelling.The paintings embody aparticularly American sensibility; Hopper's evocative depictions of bothurban and rural settings - including theatre interiors, railways,restaurants, gas stations, hotels, street scenes, and coastal landscapes -have become iconic images of early twentieth-century American culture.Walter Wells' informative yet eminently readable monograph explores themany facets of Hopper's art, discussing from various perspectives hisetchings, watercolors, and oil paintings, which represent a wide range ofsubjects.Particular attention is paid to the literary works from whichHopper took inspiration, as well as the ways in which the artist's ownpsychology and emotional states influenced his output.

The Poetry of Solitude: A Tribute To Edward Hopper

Edward Hopper's New York

Edward Hopper resided in the Washington Square area of New York City from 1905 until his death in 1967, pursuing the visual essence of Gotham in various media and taking the measure of ordinary city dwellers. He embraced the architecture of the great city, revealing its solidity and bulk in "convincing three dimensional pictorial space." Today his most evocative canvases resonate with a contemporary power. Whether in oils and watercolors such as Automat, Nighthawks, or New York Pavements or in etchings like The El Station and Night Shadows, Hopper gave us stark yet intimate interpretation of urban existence that are touchstones of American art.

Avis Berman's essay explores how Hopper and his work illuminate each other by analyzing what his New York is--and is not. The artist preferred nondescript vernacular buildings, eschewing the new, the gigantic, the technologically exciting. He truly made emptiness full, silence articulate, plainness mysterious, and tawdriness noble.

Edward Hopper: 1882-1967, Vision of Reality (Big Art S.)

The first significant American painter in 20th century art...

Edward Hopper (1882-1967) is considered the first significant American painter in 20th-century art. Living in a secluded country house with his wife, Josephine, he depicted the loneliness of big-city people in canvas after canvas. Probably the most famous of them, Nighthawks, done in1942, shows a couple seated quietly, as if turned inwards upon themselves, in the harsh artificial light of an all-night restaurant. Many of Hopper's pictures represent views of streets and roads, rooftops, abandoned houses, depicted inbrilliant light that strangely belies the melancholy mood of the scenes. Hopper's paintings are marked by striking juxta-positions of color, and by the clear contours with which the figures are demarcated from their surroundings. His extremely precise focus on the theme of modern men and women in the natural and man-made environment some-times lends his pictures a mood of eerie disquiet. In House by the Railroad, a harsh interplay of light and shadow makes the abandoned building seem veritably threatening. On the other hand, Hopper's renderings of rocky landscapes in warm brown hues, or his depictions of the seacoast, exude an unusual tranquillity that reveals another, more optimisticside of his character.

Hopper Drawings (Dover Art Library)

Edward Hopper

Edward Hopper: An Intimate Biography

"A definitive biography." Robert Hughes, Time "A nearly flawless account of a remarkable artist . . . a compelling and accessible narrative for anyone even remotely interested in modern American art." Michael Kammen, The New York Times Book Review This acclaimed biography of Edward Hopper is essential reading for anyone interested in the world-famous realist artist. This second, expanded edition doubles the number of illustrations, and includes a new section of paintings in color. A newly added section on Hopper's international influence on culture, especially on contemporary art, poetry, and cinema, makes this edition unique. The original biography (Edward Hopper: An Intimate Biography, Knopf, 1995) has long been considered the seminal review of Edward Hopper's life and work. The biography's focus is the laconic, introverted painter's stormy forty-three-year marriage to outspoken and gregarious Josephine ("Jo") Nivison, herself an artist, and draws extensively on Jo Hopper's intimate diaries, which she kept from the early 1930s until shortly before her death in 1968 (just 10 months after her husband died).

Hopper: 16 Art Stickers (Fine Art Stickers)