Eva Hesse: Sculpture
by Elisabeth Sussman
from Yale University Press
Eva Hesse: Sculpture focuses on the artist’s large-scale sculptures in latex and fiberglass and provides a rare opportunity to look at Hesse’s artistic achievement within the historical context of her life in never-before-seen family diaries and photographs. Essays consider Hesse’s art from a variety of angles: Elisabeth Sussman discusses the sculptures shown in the 1968 solo exhibition; Fred Wasserman delves into the Hesse family’s life in Nazi Germany and in the German Jewish community in New York in the 1940s; Yve-Alain Bois examines Hesse’s works within the context of the art and aesthetic theories of the 1960s; and Mark Godfrey analyzes the importance of Hesse’s celebrated hanging sculptures of 1969–70. In addition to color reproductions of the artist’s sculpture, the book features a copiously illustrated chronology of the artist’s life.
Eva Hesse: Catalogue Raisonne
by Eva Hesse
from Yale University Press
Eva Hesse Drawing
from Yale University Press
An accomplished draftswoman, Hesse began to develop her wandering, tentative line while studying at Yale University in the late 1950s. Her early 1960s works on paper engaged with visual vocabularies from geometry to biomorphic abstraction. In 1965, Hesse combined her tactile sensibility for materials with her stringlike line to achieve a breakthrough: her astonishing reliefs, which began to bridge the space between two and three dimensions. Balancing the disembodiment of line with its intensified materialization, Hesse went on to develop one of the most innovative oeuvres of the twentieth century, anticipating the hybridization of media and crossing borderlines linking one impossible space to another.
Encountering Eva Hesse
by Vanessa Corby
from Prestel Publishing
Encountering Eva Hesse
Griselda Pollock and Vanessa Corby, Editors
This book offers new insights into the full range of Eva Hesse's work and legacy.
German-Jewish-born postminimalist painter and sculptor Eva Hesse died in 1970 at the age of 34. Her work has long been acknowledged by major museums, studied by young artists, and analyzed from a feminist perspective. In this book, a team of artists, curators, and art historians examines the range of Hesse's challenging work in drawing, painting, and sculpture. The book also features full-color reproductions of her sculptures—many too fragile to be exhibited—as well as photographs of her studio and life. This multi-faceted critique is an important contribution to our understanding of Eva Hesse.
Griselda Pollock is Professor of Social and Critical Histories of Art and Director of the AHRB Centre for Cultural Analysis, Theory and History at the University of Leeds.
Vanessa Corby is a painter, art writer, and Lecturer in Visual Culture at the University of Central Lancashire.
Eva Hesse (October Files)
from The MIT Press
Eva Hesse's distinctive process-based art exerted a powerful influence on minimalist artists of the 1960s and continues to inspire artists today. Using industrial materials such as latex and fiberglass, she exploited their flexibility to produce works with an unsettling psychic and corporeal resonance. Hesse, who was born in Germany in 1936 and raised in New York City, died of cancer in New York in 1970.
Eva Hesse focuses on the body of criticism that has developed since the last major retrospective of Hesse's work, at the Yale University Art Gallery in 1992. The book's publication coincides with a major exhibition organized jointly by the San Francisco Museum of Art and the Wiesbaden Museum. Eva Hesse contains a 1970 interview by Cindy Nemser, a discussion between Mel Bochner and Joan Simon, and essays by Briony Fer, Rosalind Krauss, Mignon Nixon, and Anne M. Wagner.
Eva Hesse
by Lucy Lippard
from Da Capo Press
Eva Hesse
Eva Hesse, a pivotal figure in the development of postwar international art, created paintings, sculpture, and works on paper that were striking in their beauty and playful sensibility. Although much has been written about Hesse's dramatic life--her childhood flight from Nazi Germany, her struggles to gain acceptance as a young female artist, her battle with cancer, and her tragic death in 1970 at the age of 34--her art has yet to receive the critical attention it deserves. This lavishly illustrated catalogue redresses that omission, focusing on Hesse's innovative working methods and choices of materials as well as on the larger aesthetic and philosophical questions raised by her artistic practice. The book presents and documents over two hundred works by Hesse in all media. Particular attention is devoted to the degradation and aging of her sculptures over the past three decades. Essays by a distinguished team of writers deal with themes of mutability and decay in Hesse's art; discuss her little-known early career in New York and Germany; explore her innovative use of translucent materials; and examine the role of drawing and collage in her creative process.
Eva Hesse: Transformations - The Sojourn In Germany 1964/65 & Datebooks 1964/65
by Sabine Folie
from Walther Konig
Eva Hesse is best known for the ethereal sculptures she created out of latex and fiberglass, a body of work that shows affinities with the concerns of Minimalism but cannot be easily characterized under any particular art movement. The majority of publications about her too-brief oeuvre have focused almost exclusively on the sculptures she produced after 1965. This slipcased, two-volume edition offers the first pronounced consideration of the transformative time prior to that year. Volume I documents Hesse's production from 1962 to 1966 through reproductions of drawings, collages, sculptures, and plastic reliefs. Volume II presents, for the first time ever, her notebooks from 1964 and 1965, a watershed year in her artistic practice. This primary material is reproduced in its original English (alongside German translations).
Datebooks, 1964/65: A Facsimile Edition
by Eva Hesse
from Yale University Press
“Studio—To date have again done mainly drawings. Coming along. Sometimes I feel they’re good, often I get discouraged. Staying at studio gets a little easier + more pleasant. I usually take break + come home. Tom stays.”---Eva Hesse
In 1964--65, Eva Hesse lived with her husband, sculptor Tom Doyle, in Kettwig-on-the-Ruhr, Germany, at the invitation of a European art collector. During this time, as she did throughout most of her life, Hesse kept diaries and made extensive notations in datebook calendars. These two datebooks, published for the first time as facsimile editions, are accompanied by a third volume that includes an essay on their significance in the artist’s career as well as full transcriptions and annotations.
The 1964/65 datebooks impart astonishingly rich personal details about the artist’s life: whom she met and where she traveled, which books she read, and which films and exhibitions she saw and what impression they made on her. Hesse’s notations also reveal invaluable insights into the German art scene of the mid-1960s, her transition from a painter to a sculptor and her often conflicted artistic ambitions, the stresses of her marriage, and the difficulties of returning to Germany, the country that in 1938 she fled with her family to escape Nazi persecution.
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