Gauguin Tahiti
by Paul Gauguin
from MFA Publications
The life of Paul Gauguin is one of the richest and most mythic in the history of Western art. A banker and "Sunday painter," he left behind family and homeland and sailed to the South Seas, seeking a life "in ecstasy, in peace, and for art." Gauguin Tahiti, the first major retrospective of the artist's work in fifteen years, offers an in-depth study of the fabled Polynesian years that have so defined our image of the painter. Alongside essays by leading American and French critics on every aspect of Gauguin's art, from the legendary canvases to his sculptures, ceramics, and innovative graphic works, are discussions of the Polynesian society, culture, and religion that helped shape them; an in-depth biographical narrative of the artist's life, with the many epiphanies, frustrations, and discoveries that make his time in the South Seas one of the most mythologically potent episodes in the history of Western art; and a chronicle of his changing fortunes in the century since his death. At the center of it all is Gauguin's 1897 masterpiece, Where Do We Come From? What Are We? Where Are We Going?, the summation and crowning glory of his mature career, presented with unprecedented depth and authority. Over one hundred years later, Gauguin remains one of the most enigmatic and attractive figures of 19th-century art, the very pivot of modernism, and Gauguin Tahiti finally portrays this crucial period of his life in all its color and drama.
Gauguin's Intimate Journals
by Paul Gauguin
from Dover Publications
Noa Noa: The Tahitian Journal (Fine Art Series)
by Paul Gauguin
from Dover Publications
Van Gogh and Gauguin: The Studio of the South
by Douglas Druick
from Thames & Hudson
The personal and professional history of van Gogh and Gauguin—their rivalrous friendship and brief period of collaboration in Arles in 1888—constitutes one of the most dramatically revealing sagas in the history of modern art. In many ways, it is the quintessential story about the beginnings of modern avant-garde practice as it developed in the wake of the last Impressionist exhibition, held in 1886. Gauguin and van Gogh were, by circumstances of personality and history, "isolés": at once inherently self-involved and faced, in the absence of a single dominant "school," with a dizzying array of contemporary art-making. Brought together by circumstance, each artist played a vital role in the other's search for a personal style that would relate to current developments yet be unique. Over the course of this century, van Gogh and Gauguin have received a prodigious amount of scholarly attention. Recent contributions to this literature—including new biographies, studies of particular aspects of their art, and publication of their letters—have expanded our knowledge significantly. But while references to their problematic interaction abound, sustained analysis of their mutual influence has yet to be the subject of a major study. This book, published on the occasion of a landmark exhibition organized by the Art Institute of Chicago and the Van Gogh Museum, Amsterdam, systematically explores the relationship in the context of the larger cultural and political background implied in their ideas for a "Studio of the South." It charts the connections between the two men through their stay together in Provence and beyond to Vincent's death in 1890. A final section considers the remainder of Gauguin's career, both in Tahiti and the Marquesas (where he died in 1903), as an attempt to realize the ideals of the "Studio of the South" developed with van Gogh and shaped by his posthumous reputation. 575 illustrations, 400 in color.
The Writings Of A Savage
by Paul Gauguin
from Da Capo Press
Noa Noa: The Tahiti Journal of Paul Gauguin
by Paul Gauguin
from Chronicle Books
In 1894, Paul Gauguin left what he considered to be a culturally bereft Europe to live an unfettered life in a tropical paradise Tahiti. It was there that he produced some of his most beautiful and best-known paintings, as well as another masterpiece: this enchanting journal. Complete with sensuous woodblock prints and sketches, this exquisitely designed edition first published by Chronicle in 1994 and now reissued with a beautiful new jacket is still the only translation to contain all of Gauguin's richly colored illustrations of the Tahiti diary. Including Tahitian myths and legends, affectionate tales of Gauguin's encounters with the captivating Tahitian people, and fascinating glimpses of the inspiration behind his most famous paintings, Noa Noa assumes its rightful place among the masterworks of an extraordinary artist.
Eyewitness Art - Gauguin (Eyewitness Art)
by Michael Howard
from DK Publishing (Dorling Kindersley)
A look at the life and work of Paul Gaugin discusses the influence that Gaugin's self-imposed exile in the Pacific Islands had on his distinctive work, his mingling of local myths and lost religions in his paintings, his friendships, and more. 35,000 first printing.
Gauguin Paintings: 24 Art Cards (Card Books)
by Paul Gauguin
from Dover Publications
Van Gogh and Gauguin: The Search for Sacred Art
by Debora Silverman
from Farrar, Straus and Giroux
During the fall of 1888, Vincent Van Gogh and Paul Gauguin lived and worked together in Provence. There in a yellow house at Arles, they changed the course of modern art. The relationship between the two painters came at a critical point in each of their careers, and began as a plan for a new community of artist-brothers, who would flourish in a harmonious condition of mutual support. While the two painters never achieved the goal of brotherly harmony, they nonetheless found their creativity spurred by association.
Until now, the Arles period has been interpreted in the light of the temperamental differences between the artists, culminating in the famous incident in which Van Gogh cut off part of his left ear lobe to spite Gauguin. In the shadow of the drama, their larger intellectual and theoretical debates at Arles have been neglected. Debora Silverman demonstrates here for the first time the great significance of their religious backgrounds and conflicts, with important new research on Van Gogh and Gauguin's respective Protestant and Catholic origins and formations, and fresh readings of the major pictures of the period. Both artists emerge in startling new ways, as the paintings they produced at Arles are reevaluated in the light of their divergent attempts to create a new sacred art.
In Search of Gauguin
by Jean-Luc Coatalem
from Orion Publishing
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