Cornell, Joseph

Joseph Cornell: Navigating the Imagination

Joseph Cornell: Master of Dreams

Out of the fantasies that enriched an often reclusive life, the enigmatic American artist Joseph Cornell (1903-1972) created a world of enchantment with his famed shadow boxes and collages. Using common objects like glasses, marbles, and mirrors, Cornell's work evokes the strangeness of the familiar and the odd familiarity of the strange.

Respected art historian and friend of the artist Diane Waldman probes the elusive imagery that marks Cornell's work. Interviews with Cornell and his family and access to the artist's papers inform her text. This richly illustrated book, now available in paperback, is one of the few to cover his entire career.

The Joseph Cornell Box: Found Objects, Magical Worlds

Joseph Cornell's Dreams

Joseph Cornell is well known for the oneiric quality of his art and films. Many have tried, often in vain, to put into words the strange power of his boxes--toy-like constructions whose playfulness and humor are anchored in a profound melancholy and loneliness. "Slot machines of visions," said Octavio Paz. Cornell himself is said to have enjoyed children's responses to his work; perhaps because nothing prepares one better for viewing a Cornell box than having an unbiased mind. Catherine Corman has combed through the voluminous diaries that Cornell kept throughout his life, now in the care of the Smithsonian's Archives of American Art, in search of the artist's own dreams. What she found are brief flashes of images, and short, enigmatic narratives of illumination--the verbal equivalent of Cornell boxes. In 1993, Mary Ann Caws edited a large portion of Cornell's diaries for publication by Thames & Hudson, an invaluable sourcebook for Cornell studies. This new, shorter volume is a poetic addition to that literature, equally indispensible to those interested in Cornell as it contains previously unpublished writings, but also because it is as intriguing and mysterious to the uninitiated as the magical boxes themselves.

Dime-Store Alchemy: The Art of Joseph Cornell (New York Review Books Classics)

In Dime-Store Alchemy, poet Charles Simic re?ects on the life and work of Joseph Cornell,
the maverick surrealist who is one of America’s great artists. Simic’s spare prose is as enchanting and luminous as the mysterious boxes of found objects for which Cornell is justly renowned.

In a work that is in various degrees biography, criticism, and sheer poetry, Simic tells the story of Cornell’s life and illuminates the hermetic mysteries of his extraordinary boxes–objects in which private obsessions were alchemically transformed into enduring works of art. Simic sees Cornell’s work as exemplifying a distinctively American aesthetic, open to the world, improvisatory, at once homemade and universal, modest and teasing and profound. Full of unexpected riches, Dime-Store Alchemy is both an entrancing meditation on the nature of art and a perfect introduction to a major American artist by one of his peers–a book that can be perused at length or dipped into at leisure again and again.

Joseph Cornell: Shadowplay...Eterniday

Published to celebrate the centennial of Joseph Cornell's birth in 1903, this book provides a fresh, multidimensional perspective on the pioneering modern artist. Lavishly illustrated with over seventy-five boxes and collages, as well as images of the fascinating source material that the artist collected to create his exquisitely crafted worlds, the book communicates to the reader the sense of surprise and delight that one experiences upon viewing the actual boxes with their toys, stuffed birds, maps, clay pipes, marbles, shells, and other paraphernalia of daily life.

The book's essays bring together the expertise of Lynda Roscoe Hartigan, chief curator at the Peabody Essex Museum and former director of the Joseph Cornell Study Center; the compelling commentary of Walter Hopps, art dealer, museum curator, and the artist's personal friend; the wide-ranging scholarship of Richard Vine, author and managing editor of Art in America; and the sensitivity of Robert Lehrman, a leading Cornell collector whose firsthand experience lends this publication its distinctive intimacy. Among the topics explored are the role of dualities in the artistic process, the dominant themes of Cornell's oeuvre, and the importance of his Christian Science faith.

Through its innovative technology, the book's companion DVD-ROM delivers an encyclopedic compendium of the artist's works and source materials, the insights of numerous scholars and critics, access to Cornell's experimental films, and interactive opportunities that promote an utterly unprecedented investigation of his art. 231 illustrations, 205 in color; DVD-ROM.

Joseph Cornell (Prestel Postcard Books)

Thirty beautiful postcards of some of the world's best-known artists, reproduced in the highest quality and printed on thick, durable paper -- Prestel postcard books make a perfect gift.

Joseph Cornell's Vision of Spiritual Order (Reaktion Books - Essays in Art and Culture)

Utopia Parkway: The Life And Work Of Joseph Cornell

Joseph Cornell (1903-72) lived in Queens with a domineering mother and severely handicapped brother while creating unique, haunting art: boxes filled with lovingly assembled objects and printed images. But this sympathetic biography demonstrates that he was more than an eccentric recluse, chronicling his friendships with other artists and his immersion in the avant-garde movements of his time. Art critic Deborah Solomon spikes her astute judgments with humor--noting her subject's fondness for epistolary relationships that spared him the unease of physical contact, she comments, "Cornell would have been great on the Internet."

Back in Print No artist ever led a stranger life than Joseph Cornell, the self-taught American genius prized for his disquieting shadow boxes, who stands at the intersection of Surrealism, Abstract Expressionism, and Pop Art. Legends about Cornell abound--as the shy hermit, the devoted family caretaker, the artistic innocent--but never before Utopia Parkway has he been presented for what he was: a brilliant, relentlessly serious artist whose stature has now reached monumental proportions. Cornell was haunted by dreams and visions, yet the site of his imaginings couldn't have been more ordinary: a small house he shared with his mother and invalid brother in Queens, New York. In its cluttered basement, he spent his nights arranging photographs, cut-outs, and other humble disjecta into some of the most romantic works to exist in three dimensions. Cornell was no recluse, however: admired by successive generations of vanguard artists, he formed friendships with figures as diverse as Duchamp, de Kooning, and Warhol, and had romantically charged encounters with Susan Sontag and Yoko Ono--not to mention unrequited crushes on countless shop girls and waitresses. All this he recorded compulsively in a diary that, along with his shadow boxes, forms one of the oddest and most affecting records ever made of a life. It is from such documents, and from a decade of sustained attention to Cornell, that Deborah Solomon has fashioned the definitive biography of one of America's most powerful and unusual modern artists.

Joseph Cornell: Stargazing in the Cinema (Yale Publications in the History of Art)

Best-known for evocative box-constructions in which he assembled small objects and ephemera, American surrealist Joseph Cornell was also a devoted fan of the cinema. This book examines for the first time Cornell`s "portrait-homages," created to honor his favorite female movie stars-Hedy Lamarr, Lauren Bacall, Greta Garbo, Jennifer Jones, and others.