Harry Callahan (Aperture Masters of Photography)
by Jonathan Williams
from Aperture
Aperture's Masters of Photography series presents Callahan's most vital and lasting images, in addition to a number of photographs that have never been published before. The accompanying essay by Jonathan Williams, poet, essayist, and the publisher of Jargon Society books, provides a unique textual complement to the subtlety of Callahan's work and vision.
Harry Callahan: Eleanor
by Emmet Gowin
from Steidl/High Museum of Art, Atlanta
For much of the 1940s, 50s, and 60s, photographer Harry Callahan's wife, Eleanor, was his most regular subject. She stares out of his acclaimed work, sometimes sharp and sometimes blurred, sometimes Classical and sometimes Modern, in public parks and city streets, at the beach, in a tent, in the studio and their home, nude and clothed, eventually pregnant and then mothering. The couple's longstanding collaboration makes up an intimate visual diary of their relationship and of Callahan's artistic exploration: these are seldom portraits in the traditional sense. More than studies of Eleanor, they are stages in Callahan's lifelong exploration of photography as a creative medium, showing his embrace of an array of materials and techniques, including highly detailed large-format negatives, distortions of movement and focus, silhouettes and multiple exposures. The subject was always Eleanor, but there were always new ways of seeing her.
Harry Callahan: The Photographer at Work
by Britt Salvesen
from Yale University Press
Harry Callahan (1912–1999) was one of the most influential photographic artists of the twentieth century. A master of modernist experimentation, Callahan explored a range of subjects—from landscapes to city streets to portraits of his wife—and techniques throughout his career.
Beautifully designed and produced, this book focuses on understanding how Callahan worked—both his day-to-day photographic explorations and his resulting fifty-year career in photography. Exploring the rich contents of the Harry Callahan Archive at the Center for Creative Photography, the authors look at how Callahan’s choice of subjects and visual ideas emerged from deliberate and improvisational processes, and how such processes might be revealed with archival materials such as negatives, transparencies, proof prints, sequential ordering, and variant printings. This close investigation of Callahan’s individual and experimental approach to materials in turn leads to a larger consideration of his relationship to seemingly contradictory strains in American visual culture of the twentieth century.
Reproducing a host of previously unpublished images and documents, this volume juxtaposes select artifacts—such as contact sheets and variants—with final images to explicate Callahan’s life in and influence upon photography. Harry Callahan: The Photographer at Work will offer a rare glimpse into the creative process of an important and fascinating artist.
Original Sources: Art and Archives at the Center for Creative Photography
by Ansel Adams
from Center for Creative Photography
The Center for Creative Photography, located in Arizona, is home to one of the largest and most eclectic photographic collections in the world. This publication offers a virtual guided tour of the center's extensive holdings, including a visit through the archives of some of the 20th century's most important North American photographers: Ansel Adams, Richard Avedon, Harry Callahan, Louise Dahl-Wolfe, Lee Friedlander, Tina Modotti, Beaumont & Nancy Newhall, Aaron Siskind, W. Eugene Smith, Paul Strand, Edward Weston, and Garry Winogrand. With scholarly commentary on artists' books, 19th-century travel photography, early 20th-century travel albums, and the CCP's collections of French, German, Japanese, Mexican, and Spanish photography, Original Sources is the most comprehensive introduction to one of photography's most treasured repositories.
Harry Callahan, color, 1941-1980
Chicago Photographs
by Carol Ehlers
from LaSalle Bank, N.A.
Our journey through Chicago begins on an El train platform looking South on State Street in the Loop. From there we are guided through the streets of the Windy City. Through the eyes of 30 photographers, we see Chicago's inhabitants, ways of life, its past (as far back as 1930) and its present. Eventually we end our trip outside of the city's center, but not before we feel a genuine sense of intimacy and warmth within a place notorious for its chill. The images herein have been culled from LaSalle bank's more than 4,000 collected photos. It is divided into two sections: part one presents a sequence of powerful photographs taken in downtown Chicago, part two unfolds as an artistic testimony to the people who live in the city's historically diverse neighborhoods. Features 47 works by artists such as Walker Evans, Harry Callahan, Danny Lyon, Thomas Struth, Lee Friedlander, Robert Frank, Yasuhiro Ishimoto, Terry Evans, Hedrich Blessing Studio, Vera Lutter, and others.
