Basquiat: A Quick Killing in Art (Revised Edition)
by Phoebe Hoban
from Penguin (Non-Classics)
This minutely reported book is as much a portrait of the frenzied, prodigal New York art world of the 1980s as it is a biography of Jean-Michel Basquiat, who died of a drug overdose at age 27 in 1988. Basquiat, one of very few African American artists to acquire an international reputation, left a thick web of dealers, collectors, friends, lovers, paintings, drawings, and used syringes behind him. Author Phoebe Hoban seems to have unblinkingly interviewed or examined them all. While she duly registers Basquiat's sad childhood, with his unstable Puerto Rican mother and punishing Haitian father, she doesn't make much of the deeper veins of sorrow and self-destruction that may have motivated the artist and informed his art. Rather, she allows his celebrity, which whisked him from street urchin to art star, to be the central trajectory of this story. The Warhol protégé would probably approve, as he was the primary obliterator of his own psychological depths, throwing away his short, phenomenally productive life in the edgy club and drug scene of downtown Manhattan. The miracle is that Basquiat was so good, and so serious, an artist, surrounded as he was by hype and cash. Hoban's book is a fluid, intricate, authoritative dissection of a time, a place, and--almost--a person. --Peggy Moorman
Painter Jean-Michel Basquiat was the Jimi Hendrix of the art world: in less than a decade he went from being a teenage graffiti writer to an international art star; he was dead of a drug overdose at age twenty-seven. A legend in his own lifetime, Basquiat's meteoric success and overnight burnout were an instant art-world myth; his brief career spanned the giddy '80s art boom and epitomized its outrageous excess, from its art dealers to its drug dealers, from its clubs to its galleries, from Madonna to Warhol. And the legend endures: the 1980s art world enfant terrible became the subject of the 1996 film Basquiat, starring Jeffrey Wright, Dennis Hopper, and David Bowie. Basquiat, the first biography of this prolific and charismatic figure, charts his trajectory from his troubled childhood to his volatile passage through the white art world of dealers and nouveau riche collectors. It is also the evocation of an era--one that fueled Basquiat's hyperactive rise to stardom and sadly predicable death.
Basquiat
from Merrell
A stunningly designed landmark publication celebrating the astonishing work of artist Jean-Michel Basquiat (1960-1988), whose meteoric and often controversial career lasted for only eight years until his death at the age of twenty-seven. Basquiat features spectacular reproductions of Basquiat's work, including many rarely exhibited pieces from private collections and offers fresh new perspectives on Basquiat's achievements, explored in the contexts of the key influences on his work, including Picasso, Matisse and Twombly; the development of hip-hop culture; and the emergence of a multicultural society. Explores many of Basquiat's individual works in detail, with particular reference to his working methods and techniques and accompanies a major travelling exhibition. This is an indispensable book that will appeal to anyone interested in contemporary art.
Jean-Michel Basquiat: 1981, The Studio of the Street
by Diego Cortez
from Charta/ Deitch Projects
In 1981 Jean-Michel Basquiat made the momentous transition from the street to the studio. He had attracted considerable attention with his Times Square Show the summer before, and reinforced that nascent notoriety with a wall of phenomenal works in Diego Cortez's New York/New Wave at P.S. 1, which opened the following winter. A few months later, the dealer Annina Nosei offered Basquiat an independent space in which to prepare work for her September group show, Public Address. He was only 20. Between the world of spray-painted poetry and what critic Peter Schjeldahl called "New York big-painting aesthetics" lies a fantastic coming-of-age: Jean-Michel Basquiat: 1981: The Studio of the Street includes paintings and drawings on everything from note cards to sheet metal to a leather jacket and conventional canvas. In them, as throughout his career, Basquiat married an exuberant spontaneity and art-brut sensibility with a firm command of not only art materials but art history. He would go on to define the 80s Neo-Expressionist idiom, and to remain its most compelling representative. The Studio of the Street examines this charged point of contact in works that show the artist's progression from text to text-and-image, from found materials to traditional canvasses, and from pure drawing to his uniquely evocative hybrid of drawing and painting.
To Repel Ghosts: The Remix
by Kevin Young
from Knopf
Revamped from its original "double album" version of 350 pages into this unique "remix," To Repel Ghosts captures the dynamic work and brief life of the artist Jean-Michel Basquiat.
In spare, jazzlike verse Kevin Young tells the story of Basquiat's rise from the mock prophet and graffiti artist SAMO to one of the hottest painters of the 1980s ("blue-chip Basquiat / playing the bull / market"), exploring the artist's bouts with fame and heroin, mourning his untimely death, and celebrating his legacy. Along the way Young riffs on Basquiat's paintings and sayings, on the music he loved, on the artists he ran with (Andy Warhol and Keith Haring, among them), and on the black heroes (Charlie Parker, Muhammad Ali, Billie Holiday) who inspired him.
Young's poetic channeling of Basquiat--a jostling, poignant brand of downtownspeak--makes for an urban epic in the tradition of Langston Hughes's "A Dream Deferred." To Repel Ghosts, along with Young's Jelly Roll: A Blues and Black Maria, his recent book of film noir verse, forms an American trilogy--Devil's Music--that explores other art forms through poetry. In its creation, Yound has become a poet whose work speaks both for and beyond his genre, with a music all its own.
Widow Basquiat
by Jennifer Clement
from Canongate U.S.
In this extraordinary and unusual book, Jennifer Clement explores the turbulent relationships that Jean-Michel Basquiat had with his muse Suzanne Malouk and with the art establishment. The result is a distressing yet beautiful profile of a strange, powerful love striving to flourish in the face of horrendous outside pressures. And while Suzanne held firm, Basquiat sought refuge in a fatal heroin addiction. Widow Basquiat also presents an eye-witness account of the drug-fueled insanity of the New York art scene of the 1980s.
Jean-Michel Basquiat
by Jean-Michel Basquiat
from Charta
"Provides a good overview of Basquiat's life and work."--Library Journal
Reading and Teaching the Postcolonial: From Baldwin to Basquiat and Beyond
Basquiat Jean Michel: New York Beat
by Jean Michel Basquiat
from Petit Grand Publishing,Japan
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